'I have been hearing this for the last four generations, that this is the last generation of superstars.' 'We will not leave it for the younger generation to take it easily.' 'We will not hand it over to them.'
A look at the hopefuls this year!
Khandaani Shafakhana is a original and socially important subject which had the best potential but unfortunately ends up leaving less emotional impact.
Golden Globes that could go wrong.
Popular Kannada comedian Sadhu Kokila talsk about the success of his latest directorial venture, Super Ranga.
Dear Friend is for those who idealised Dil Chahta Hai all out of proportion, and then warmed up to the premise that friendship could be a lot more complicated, and transient, observes Sreehari Nair.
Jaane Bhi Do Yaaro mixed comedy with themes of corruption and unemployment that lifted the modest NFDC production into one of the best dark comedies in Indian cinema.
The rather drab 87th Academy awards wasn't without its share of high points.
Exodus: Gods And Kings doesn't exactly have the greatest screenplay of all time but what it lacks in the writing department, it makes up for with stunning visuals, says Paloma Sharma.
'My contribution to Uttama Villain is going to make me proud.'
Bejoy Nambiar's gripping slice-of-mess about things spiraling out of control find an expression in a striking ensemble and volatile scenery, notes Sukanya Verma.
'This is a movie, which if you allow it to, will wash itself all over you, so that you emerge from it a little drenched but wide awake,' says Sreehari Nair.
'Gopala Gopala is an original concept and the storyline appealed to me.' Superstar Venkatesh talks about his new film.
Keeping it short and so sweet at the 90th Annual Academy Awards.
Shraddha Kapoor and Aditya Roy Kapoor don't burn the screen with passion but there's a pleasant sense to their togetherness, feels Sukanya Verma.
Aseem Chhabra lists his 10 favourite non-Indian shows streaming in India -- classics as well as recent shows.
Aseem Chhabra introduces us to the best of Berlinale.
There are no heroes or villains in No Fathers in Kashmir, but only helpless characters, who perhaps don't have a choice other than learning to live with what they're subjected to, notes Utkarsh Mishra.
Heartfelt, sharp, aware, bright, and sincere, these are the best speeches from the show.
Raja Sen lists his favourite moments.
'The writer remains the most creative force in the process.' 'Producers need to be inventive in how they reward good writing.'
A mostly watchable thriller, Jazbaa is marred by its director Sanjay Gupta's penchant for excesses, feels Sukanya Verma.
'The real problem that has affected Tarantino's films is not their amorality. On the contrary, it's their misplaced morality.' 'The basic pitches for his movies, off late, tackle such pre-resolved issues, that they don't quite allow his pop-culture sensibilities to hit a crescendo and instead reduces them to trinkets in service of broad movie prototypes.' 'Which means that neither history nor cinema triumphs.'
The 89th Annual Academy awards saw some touching speeches. Here's a look at some of the best ones.
Director Krish (Krish Jagarlamudi) makes his Hindi debut with Akshay Kumar starrer Gabbar Is Back.
Thanks to the film's half-baked treatment, it is reduced to appearing like a flight of fancy.
'Despite its noble attempts, tight editing, terrific sound design, good performances and a compelling story, Hotel Mumbai tells a big lie.'
Can Sidharth Malhotra and Sonakshi Sinha bring back the magic created by Rajesh Khanna and Nanda in the 1969 original?
Athiya shows potential, Sooraj his physique in Hero, says Sukanya Verma.
It is always wonderful to discover a gem of film at an international film festival. It is even more exciting when that film is from India.
Given a choice between Ouija and the rest of the Halloween-targeted horror releases this year, I would pick Ouija any day, says Paloma Sharma.
Did the human drama provoked by the Japanese invasion of Burma and the Indian exodus from Rangoon inspire director Vishal Bhardwaj's forthcoming epic?
And no, the list doesn't start and stop with Boman Irani!
'Before we started shooting 36 Vayadhinile, I watched Jyothika's previous films. I told her that I did not want the old Jyothika. I wanted to present a completely new Jyothika.' Director Rosshan Andrrews discusses his well-reviewed film.
Riteish Deshmukh on movies, Genelia and what he'd like to teach his sons.
A clutch of professional talent management firms is changing the balance of demand and supply in India's entertainment industry, writes Vanita Kohli-Khandekar.
'I am just making a creative film. It has nothing to do with propaganda.'
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